Entertainment and Leisure

Filmed at Sydneys Hordern Pavillion in July 2003, and initially released last November as a CD/DVD pack, Coldplay Live 2003 is now a stand-alone DVD at mid-price, and is sure to create excitement amongst the many fans that are yet to purchase a copy of this amazing DVD.Includes a 40 minute 'Tour Dia...ry' filmed on their world, 'Multi angle' camera action and many more bonus features.Simply a must have for any Coldplay fan, or DVD fanatics that want to see the format at its best.

The exciting new album features an exclusive new track ‘Drowning Shadows’, co-written by Smith and Fraser T. Smith and produced by Jimmy Napes and Steve Fitzmaurice. ‘Drowning Shadows’ elegantly opens the second disc of the extended edition and is a stripped back, heart wrenching ballad that debuts Sam’s impressive vocals over cascading strings and piano. The Drowning Shadows Edition also includes Sam Smith’s breath-taking covers of Amy Winehouse’s ‘Love Is A Losing Game’ and Whitney Houston’s ‘How Will I Know?’ alongside collaborations with A$AP Rocky, Mary J Blige and John Legend.   Sam Smith approaches the end of 2015 in celebratory style having sold over 9 million copies worldwide of his debut album In The Lonely Hour which notched up a record-breaking 69 consecutive week in the Official Albums Chart Top 10 – the longest unbroken run ever for a debut album. Sam has gone from newcomer to international superstar having now earnt four No.1 UK singles, four Grammy Awards, three Brit Awards, six MOBO Awards, GQ’s Solo Artist of the Year, Q and AMA Awards.

“What About Us” is the first official single from P!NK's highly anticipated seventh studio album, ‘Beautiful Trauma!’ This will be her follow up to ‘The Truth About Love.’

American Horror Story: Freak Show begins its tale in the quiet, sleepy hamlet of Jupiter, Florida. The year is 1952. A troupe of curiosities has just arrived to town, coinciding with the strange emergence of a dark entity that savagely threatens the lives of townsfolk and freaks alike. This is the story of the performers and their desperate journey of survival amidst the dying world of the American carny experience.

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This 19-track greatest-hits collection provides a satisfying overview of one of the most popular heavy-rock acts of the mid-1990s. In the post-grunge era, when "alternative" became a byword for sincere, hard-hitting music with a thunderous guitar attack, Live dominated the charts by blending alt-rock muscle with the brainy, melodic sensibility of bands like R.E.M. and U2. AWAKE represents the band's best moments and, since it gives equal shrift to each of their six albums, serves as an economical career retrospective as well.

Although the late-1990s rap-metal craze that Limp Bizkit helped to spawn was long gone by 2005, the band issued this GREATEST HITZ collection in the fall of that year. While the compilation does feature some of the group's hip-hop-infused tracks (the cred-building "N 2 Gether Now," featuring Method Man) it also showcases its more straightforward rock side (the brooding, neo-headbanger "My Way"). And for the Bizkit completist, the collection includes three previously unreleased tunes, including the angst-ridden acoustic number "Why" and a cover of the Verve's "Bittersweet Symphony."

SOLACE is Sarah McLachlan's sophomore effort, and while it would take one more album (FUMBLING TOWARDS ECSTASY) to fully break into the US market, this disc caused a considerable ground swell in North America, particularly McLachlan's native Canada. This was largely due to the second track on the disc, the triumphant, Sinead O'Connor-influenced single, "Into the Fire."

Picking up where the band's previous hits compilation, 1982's THEMES FOR GREAT CITIES left off, 1995's GLITTERING PRIZE compacts five albums into 12 tracks. Because they were bigger critical and commercial successes, 1982's NEW GOLD DREAM, 1984's SPARKLE IN THE RAIN and 1985's ONCE UPON A TIME are better represented than 1989's STREET FIGHTING YEARS and 1991's REAL LIFE. Those two albums are well enough represented by the few tracks contained here that their purchase may now be unnecessary for all but the most devoted Simple Minds fan.

The Royal Edinburgh Military Tattoo marched into Melbourne's Etihad Stadium for the first time ever in February 2016. Over 1200 military and civilian performers from around the globe made their way to Melbourne for a breathtaking performance that defines spectacular...

Ireland’s reigning queen of rockabilly, the truly unique Imelda May, is back with a brand new album, entitled Tribal.   Since the release of her raucous debut, Love Tattoo, back in 2009, Imelda has been one of the most strikingly original talents in the music arena, taking her infectious blend of rockabilly, jazz, blues and torch songs from the back rooms of Dublin pubs to the biggest festivals in the world.

United by a love of opera and deep family bonds, tenor brothers Pene and Amitai Pati, and their baritone cousin Moses Mackay have carved out a unique niche for themselves. While continuing to study, train and make huge achievements within the classical world, they have been able to take the music they love to a fresh audience. Helped along the way by their vivacious good humour, and a refreshing slant on contemporary tunes and the classics.   Returning to the legendary Abbey Road Studios in London, On Another Note is a step on from their debut. In their own words they have “turned the volume up,” choosing a selection that really showcases their voices in the classical and popular styles. In keeping with the deft balancing act the boys manage between the two worlds, the album's release heralded by both an operatic classic, and a contemporary cover.

‘True old-fashioned bel canto sound – the sort we only dream about today’ announced Richard Bonynge, internationally recognized as one of the greatest of opera conductors and connoisseurs of the voice, speaking of Greta Bradman. Bonynge chose Greta to sing the title role in a performance of Rodelinda in 2014 and the critics were lavish in their praise. ‘With a dark mezzo quality in her middle voice and an ability to float her voice when singing soft sustained notes and intricate coloratura passages, she was at times uncannily similar in vocal quality to Sutherland,’ wrote Classic Melbourne. On the strength of these performances, Bonynge invited Greta to record with him, and in May this year, the two collaborated on her first operatic recording to be released internationally on Decca – the label that is home to such great artists as Luciano Pavarotti, Renata Tebaldi, Cecilia Bartoli and Renée Fleming. Bonynge himself made well over a hundred records for Decca between 1962 and 1998, many with his late wife, Joan Sutherland. This album marks an auspicious return for the maestro to the label.

A frightening seasonal anthology series, each season is a self-contained miniseries – following a different set of characters and settings.

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GREATEST HITS VOL. 1 is a 17-track primer for Korn, a key force behind the "nu metal" tsunami that swept through pop music in the mid-to-late 1990s. Led by frontman (and former coroner's assistant) Jonathan Davis, these California natives weave low-tuned guitars, hip-hop-fueled bass lines, and bleak imagery into memorable songs like the bile-fueled stomp-fest "Right Now," goth-tinged "Alone I Break," and frenetically raw "Freak on a Leash."   Davis's struggle with family dysfunction is a consistent theme, from the band's self-titled 1994 debut (a foreboding "Clown"), right up through 2003's TAKE A LOOK IN THE MIRROR (an uber-heavy "Did My Time"). Korn also keeps pace with peers Marilyn Manson and Limp Bizkit (who both recorded unlikely covers) by adding a pair of new tracks--a faithful reading of Cameo's "Word Up!" and, in keeping with their anti-authoritarian bent, a slight tweaking of Pink Floyd's "Another Brick in the Wall (Parts 1, 2, 3)."

COLLECTED is the first Massive Attack best-of anthology, and as such is a welcome addition to their catalogue. In fact, COLLECTED does a more than effective job of supporting the general belief that Massive Attack were not only one of the most groundbreaking groups of the 1990s, but that their influence has been pervasive, in electronica, R&B, and pop, in the years since.